影片對白 It's time that you stop making excuses so that you don't have to prove anything.

文化面面觀

永遠(yuǎn)的抒情大師--Johnny Mathis

Birth Name: John Royce Mathis
Genre: Vocal Music
Active: '50s - 2000s
Instrument: Vocals

Johnny Mathis, 1959

One of the last and most popular in a long line of traditional male vocalists who emerged before the rock-dominated 1960s, Johnny Mathis concentrated on romantic readings of jazz and pop standards for the ever-shrinking adult contemporary audience of the '60s and '70s. Though he debuted with a flurry of singles-chart activity, Mathis later made it big in the album market, where a dozen of his LPs hit gold or platinum and over 60 made the charts. While he concentrated on theme-oriented albums of show tunes and traditional favorites during the '60s, he began incorporating soft rock by the '70s and remained a popular concert attraction well into the '90s.

Unsurprisingly, given his emphasis on long sustained notes and heavy vibrato, Johnny Mathis studied with an opera coach prior to his teenage years, and was almost lured into the profession; his other inspirations were the smoother crossover jazz vocalists of the 1940s -- Nat "King" Cole, Billy Eckstine, and Lena Horne. Mathis was an exceptional high school athlete in San Francisco, but was wooed away from a college track scholarship and a potential spot on the Olympic squad by the chance to sing. He was signed to a management contract by club owner Helen Noga, who introduced the singer to George Avakian, jazz producer for Columbia Records. Avakian signed him and used orchestras conducted by Teo Macero, Gil Evans, and John Lewis to record Mathis' self-titled debut album in 1957. Despite the name talent and choice of standards, it was mostly ignored upon release.

Johnny Mathis in concert at the Chumash Casino Resort in Santa Ynez, California, on May 25, 2006.

Columbia A&R executive Mitch Miller -- known for his desperately pop-slanted Sing Along albums and TV show -- decided the only recourse was switching Mathis to Miller's brand of pop balladry, and the formula worked like a charm; the LP Wonderful, Wonderful didn't include but was named after a Top 20 hit later in 1957, which was followed by the number five "It's Not for Me to Say" and his first number one, "Chances Are." From that point on, Johnny Mathis concentrated strictly on lush ballads for adult contemporary listeners.

Though he charted consistently, massive hit singles were rare for Johnny Mathis during the late '50s and '60s -- half of his career Top Ten output had occurred in 1957 alone -- so he chose to focus instead on the burgeoning album market, much like Frank Sinatra, his main rival during the late '50s as the most popular traditional male vocalist. Mathis moved away from show tunes and traditional pop into soft rock during the '70s, and found his second number one single, "Too Much, Too Little, Too Late," in 1978. Recorded as a duet with Deniece Williams, the single prompted Mathis to begin trying duets with a variety of partners (including Dionne Warwick, Natalie Cole, Gladys Knight, and Nana Mouskouri), though none of the singles enjoyed the success of the original. Mathis continued to release and sell albums throughout the '90s -- his fifth decade of recording for Columbia -- among them 1998's Because You Loved Me: Songs of Diane Warren and 2000's Johnny Mathis on Broadway. (John Bush, All Music Guide)

考考你

用今日所學(xué)將下面的句子譯成英語。

1． 他買新家庭影院花了很多錢。
2． 你的車得要多大的地方放？
3． 看他怎么涮這個業(yè)余棋手吧。

Dreamgirls《追夢女郎》（精講之五）考考你 參考答案

1. 他得修正自己的行為，遵守規(guī)定。
He'll have to clean up his act and obey the rules.

2. 各個機(jī)構(gòu)聯(lián)合起來對抗非法藥品的使用。
Various agencies gang up to combat the use of illicit drugs.

3. 她下定了決心戒煙。
She resolved to lay off smoking.

影片對白 It's time that you stop making excuses so that you don't have to prove anything.

(英語點(diǎn)津Annabel編輯)