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          Let a thousand film students compete
          (The New York Times)
          Updated: 2005-10-04 09:12


          Chen Kaige, director of "The Promise" a graduate of the Beijing Film Academy.
           
          Without question, the academy's most distinguished graduates were the so-called Fifth Generation filmmakers, among them Zhang Yimou ("House of Flying Daggers"), Chen Kaige ("The Promise") and Tian Zhuangzhuang ("Springtime in a Small Town"). Now mostly in their 50's, they were the group to emerge after the Cultural Revolution. Along with 150 others in their class, they were the first to enter the school in 1978, after it had been closed for 10 years of Maoist political turmoil. (Their journey was chronicled in Ni Zhen's "Memoirs From the Beijing Film Academy: The Genesis of China's Fifth Generation," published in 2002 by Duke University Press in an English translation by Chris Berry.)

          Later, the academy helped spawn many of the so-called Sixth Generation filmmakers, among them Zhang Yuan ("Green Tea"), Wang Xiaoshuai ("Shanghai Dreams") and He Jianjun ("Man Yan").

          Of this group, perhaps the best known is Jia Zhangke ("The World"), who was inspired to be a filmmaker after seeing Chen Kaige's "Yellow Earth." "For a young person to see foreign films and rare films was very difficult - you could only see them at the Beijing Film Academy," said Mr. Jia, who entered to study screenwriting in 1993. "Most importantly, the environment at the film academy was very relaxed, and there were a lot of exchange students from Europe, America, Japan that brought a lot of new ideas and thoughts."

          As documented in "Beijing Film Academy Annals 1950-1995" (a Chinese-language book, edited by Ren Jie), the inspiration for the academy first came to the actor and director Yuan Muzhi in 1940, when he was sent to Russia. He visited VGIK film academy in Moscow and saw a model for his own country's cinematic future.

          Along with the actress Chen Boer and others, Mr. Yuan founded the Performing Art Research Institute in 1950, under the Film Bureau of the Ministry of Culture. On June 1, 1956, with the dramatist and filmmaker Zhang Min as its first president, the school took on its present identity, and has since expanded and moved to its current home at No. 4 Xi Tu Cheng Road, in the university district popular with young people.

          A former dormitory mate of Zhang Yimou, Zhang Hui-Jin - who was named president of the academy in 2002 - now sees the challenge of changing technology as the first issue facing his charges as they begin their professional lives. "The birth of new technologies has a huge impact on traditional filmmaking," he said in a recent interview in his office at the academy. "We have to teach our students traditional filmmaking, but at the same time we have to make sure the students have access to digital technology."
          Page: 123



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