<tt id="6hsgl"><pre id="6hsgl"><pre id="6hsgl"></pre></pre></tt>
          <nav id="6hsgl"><th id="6hsgl"></th></nav>
          国产免费网站看v片元遮挡,一亚洲一区二区中文字幕,波多野结衣一区二区免费视频,天天色综网,久久综合给合久久狠狠狠,男人的天堂av一二三区,午夜福利看片在线观看,亚洲中文字幕在线无码一区二区
          US EUROPE AFRICA ASIA 中文
          Culture

          Creativity or copying

          By Raymond Zhou ( China Daily ) Updated: 2016-07-04 07:44:28

          When Xu Zheng and Wang Baoqiang were first paired in 2010's Lost on Way, it was uncomfortably reminiscent of Planes, Train and Automobiles, a 1987 Hollywood comedy unknown to most in China. Later, its makers acknowledged the source. Fortunately, all the jokes and gags were local, specially designed for a Chinese audience.

          I often thought this film could get into legal trouble had the Hollywood side learned of it or had the remake ended up being a financial success.

          I've heard accusations that Lost in Thailand, the supposed sequel to Lost on Way, borrowed liberally from Hollywood's The Hangover Part II. But the view was not widely supported in China. The only similarity, it seems, is both comedies are set in Thailand and involve buddies.

          In China, the legal trouble for Lost in Thailand was the producers' decision to market it as a sequel whereas Lost on Way was made by a different company.

          Giving it sequel status would be like hiring Daniel Craig in a separate spy thriller and calling it a 007 movie despite the fact that the character's name is not James Bond.

          The biggest such recent controversy is last fall's sleeper hit Goodbye Mr. Loser. After it made 1.4 billion yuan at the box office, a film critic said it had plagiarized from Peggy Sue Got Married, an obscure Coppola film. The filmmakers claimed they had never seen the 1986 American film and decided to sue the critic for defamation.

          While the case is still pending, I tend to believe the filmmakers. The two stories share a premise of transporting the protagonists back to an earlier period, but isn't Back to the Future a much better known precedent?

          Oh, there is similarity in detail: A character wrote a song that ended up as a seminal work for a big star. But a good comedy needs a hundred details like that. I would call it a coincidence if it contains just one or a few.

          When I finish a script, I often change my perspective to that of a critic and will find a dozen or more sources of inspiration for the work. I will mention them in a published article so smart people won't think I'm stealing.

          Acknowledging one's sources is a sign of honesty and also an effort to differentiate faithful adaptation and free association and the hundred shades in between.

          Previous Page 1 2 3 Next Page

           
          Editor's Picks
          Hot words

          Most Popular
           
          ...
          主站蜘蛛池模板: 成人特黄特色毛片免费看| 日韩幕无线码一区中文| 岛国精品一区二区三区| 亚洲av综合色一区二区| 亚洲av网一区天堂福利| 亚洲成A人片在线观看无码不卡 | 国内熟妇人妻色在线三级| 久久综合久中文字幕青草| 亚洲人成色4444在线观看| 亚洲综合成人av在线| 秋霞国产av一区二区三区| 亚洲精品一区二区三区蜜臀| 久久青草国产精品一区| 成人深夜福利av在线| 国产亚洲久久久久久久| 国产一区二区三区黄色片| 国产真实伦在线观看视频| 尤物视频在线播放你懂的| 精品国产午夜理论片不卡| 色窝窝免费一区二区三区| 伊人精品成人久久综合97| 丰满人妻一区二区三区高清精品| 美女扒开内裤无遮挡禁18| 免费无码成人AV片在线| 婷婷四房播播| 久久久久久综合网天天| 人妻av无码专区久久| 亚洲精品成人一二三专区| 亚洲欧美中文日韩v在线97| 丝袜国产一区av在线观看| 国产福利高颜值在线观看| 亚洲最大成人av在线| 狠狠亚洲色一日本高清色| 日本一区二区视频在线播放| 国产高清在线男人的天堂| 女人扒开屁股桶爽30分钟高潮| 午夜夜福利一区二区三区| 久久精品夜夜夜夜夜久久| 强插少妇视频一区二区三区| 国产日韩AV免费无码一区二区三区| 一区二区在线观看 激情|