Dream weaver
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Chinese actress Xu Qing poses at a press conference for the new drama, A Dream Like a Dream, in Beijing, China, 26 November 2012.[Photo/icpress] |
The principal role of a Shanghai courtesan is shared by three actresses, and not just because she has a wide range in age. The roles - should they be counted three roles - occasionally encounter each other onstage, creating a surreal moment of one person time-traveling to another era and meeting a different facet of her self. On the flip side, the same actor may also espouse several ostensibly unrelated roles, but one has to guess whether it is for logistical reasons or to hint at the possibility of reincarnation.
The Buddhist undercurrents of the play are so subtle as to be imperceptible to non-believers. But they have seeped into not only the plot, but also the structure and the staging. The opening and later transitional scenes have dozens of actors walk about the stage, clockwise, in the same direction as pilgrims would circle a Buddhist pagoda. When a person goes against the crowd, it is like a flashback in cinematic art - to go back in time.
This simple arrangement alone is at once mesmerizing and philosophical. It literally presents a milling crowd out of which vignettes and tableaux emerge - interconnected in myriad ways. Moreover, what happens onstage is not necessarily reality, some elements could be fantasy, blending into a rich texture of what was experienced and what should or could have been experienced.
The themes of life, death and love lost or gained may be universal, but the universality is distilled from era-specific and location-specific situations that are dramatized with the mastery befitting a great artist. Stan Lai is never preachy. His cosmic outlook engulfs you just like the stage on all sides. You swivel your chair and look up at these characters playing out their lives and dreams without realizing the exact moment when you turn your unique participation into a part of this process of traversing the layers of past and present, reality and fantasy, memories and regrets.
If a regular play is a solo singer, A Dream Like a Dream is like a chorus, with the listener right in the center. You don't see the maestro at a raised podium, but you'll feel his presence in every note and every whisper. That is how Stan Lai communicates his wisdom.
Contact the writer at raymondzhou@chinadaily.com.cn.
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