Children's books a tale of new cultural confidence

Building bridges

Three months ago, Italian publisher Silvia Vassena brought a picture book, Mama's Scent, to the CCBF.

Created by young illustrator Baraa Alwoor from war-damaged Gaza it explores the special bond between a mother and child, bringing comfort and connection to those navigating times apart.

The author told Vassena that the illustration "healed" her trauma, making the publisher feel great responsibility.

"Making children's book is not simple, as children are not simple," Vassena said. "They are pure, transparent, and see all the influence of life. We have responsibility not only for children, but for our future adult society."

She added that China has outstanding artists and quality works for children. In times of uncertainty, she believes books can help people communicate and start dialogues.

Paolo Mancini, founder of Daco Studio, agreed that building bridges between people through literature is the basis for creating a better future. Daco Studio produces almost all of its books in China, where Mancini believes there is "different depth" to children's literature, which is more delicate and practical.

Despite various challenges the entire publishing industry is facing, the children's book sector still remains positive on its prospects. Diego Coccato, deputy trade commissioner at the Italian Trade Agency, said investment in this sector is critical, because children need to "touch and feel" material objects.

Wang Yi and Xiong Zhi from the Shanghai Juvenile and Children's Publishing House believe quality works always possess enduring qualities. "We are dedicated to making such works that will resist time and stay with the readers for long."

"Good stories should be shared by all people," said Hu, the illustrator.