Under the baton of Canadian-born conductor Naomi Woo, the concert seamlessly linked Eastern and Western musical traditions, celebrating the beauty of cross-cultural dialogue. The performance began with Chinese composer Li Huanzhi's Spring Festival Overture, based on traditional folk songs from Shaanxi province. The vibrant melodies, filled with the joy and energy of the Spring Festival, immediately transported the audience into a festive atmosphere beating with the sounds of drums and gongs.
Yu performed Crouching Tiger, Hidden Dragon, composed by Tan Dun, for erhu and orchestra, captivating the audience with the erhu's profound, melancholic tones. The performance seamlessly blended the ancient and modern, evoking the mystery and elegance of Chinese culture.
Zhang's pipa concerto, The Overthrow of King Bawang, arranged by Zhou Long, brought to life the tragic end of the legendary figure Xiang Yu. The forceful and graceful pipa playing, combined with the dynamic orchestral accompaniment, conveyed the hero's final moments with profound emotional depth. Both musicians' performances not only showcased their extraordinary technical skills but also brought Chinese traditional instruments to life on the international stage.
Western composers also brought their interpretations of "Spring" to the concert. The tender beauty of Lili Boulanger's D'un matin de printemps (Of a Spring Morning) evoked the delicate colors of dawn, while Aaron Copland's Rodeo captured the vibrant energy of an American dance.
Composer Zhou Long also shared his thoughts on the cross-cultural journey his music has taken him on. From its original 1992 composition for the Philadelphia Orchestra to its adaptations in Germany and China, Zhou's work exemplifies the ongoing evolution of cultural understanding. "This journey is not just about music; it's about culture being understood, embraced, and reborn in different contexts," he explained.
