China's cultural creativity code

Alchemy bridges centuries

This cultural sentiment is also materializing into a formidable commercial ecosystem. The "China-chic", or guochao, is no longer a niche aesthetic but a sophisticated consumption engine. The proof is in objects that bridge centuries: a refrigerator magnet replicating the Ming Dynasty (1368-1644) Empress' phoenix crown has sold over 2.28 million units in just over a year, generating a 200 million yuan ($28.5 million) product series for the National Museum of China by late August.

That same alchemy is now scaling across industries, transforming cultural heritage into contemporary chic. It has given rise to a cohort of affordable Chinese luxury brands in perfume, makeup, accessories, and jewelry that are captivating local consumers and, as industry observers note, challenging Western luxury incumbents.

This sentiment is echoed by consumers like Wang Xiaoxia, who argues, "The development of domestic brands should aim for high quality and high value. Otherwise, we can never compete with first-tier brands."

Simultaneously, entirely new cultural symbols are being born and going global. Labubu, the snaggle-toothed, wide-eyed figurine created by Hong Kong artist Kasing Lung and marketed by Chinese pop culture giant Pop Mart, has become a global obsession among Generation Z (those born between 1997 and 2012). Sony Pictures' potential film adaptation signifies a reversal: a Chinese-originated IP feeding the Hollywood content machine.

Zhang Dandan, head of the CS-New Consumption Research Institute in Changsha, Hunan province, sees Labubu's global success as emblematic of "Made in China"'s evolution from manufacturing hub to imagination-driven value creator.