<tt id="6hsgl"><pre id="6hsgl"><pre id="6hsgl"></pre></pre></tt>
          <nav id="6hsgl"><th id="6hsgl"></th></nav>
          国产免费网站看v片元遮挡,一亚洲一区二区中文字幕,波多野结衣一区二区免费视频,天天色综网,久久综合给合久久狠狠狠,男人的天堂av一二三区,午夜福利看片在线观看,亚洲中文字幕在线无码一区二区
          Global EditionASIA 中文雙語Fran?ais
          Opinion
          Home / Opinion / Chinese Perspectives

          Traditional art in tune with performance industry

          By Jin Yadi | chinadaily.com.cn | Updated: 2025-06-27 14:36
          Share
          Share - WeChat
          Showcasing the successful video game Black Myth: Wukong, an art exhibition in Hangzhou, Zhejiang province, brings some of the virtual characters to life in physical form. [Photo provided to China Daily]

          Can traditional performances ride the wave of consumption in this new age? This question looms over many traditional art forms.

          In recent years, however, we have witnessed a shift. Whether it's the folk songs of Shaanxi province featured in the game Black Myth: Wukong or female stars portraying dashing heroes in Yueju Opera, emerging instances suggest that traditional performance art can experience a revival through innovative approaches.

          In fact, the live performance industry has become an important driver of cultural and tourism consumption. From concerts featuring popular songs to the revival of traditional operas, dramas and traditional Chinese music concerts, the performance industry is booming. Amid the vibrant landscape, traditional Chinese music stands out with its unique charm, and for playing an indispensable role in the development of culture.

          According to available data, the total revenue of the national performance market in 2024 was more than 79.629 billion yuan, representing a year-on-year increase of 7.61 percent.

          With the State Council, China's Cabinet, unveiling an action plan to spur consumption, including cultural and tourism consumption, by increasing the number of tickets issued, streamlining the approval process for commercial performances and strengthening policy support, the performance market is poised to grow further this year.

          Among the various forms of performances, immensely popular concerts will not only generate substantial ticket revenue but also stimulate the local economies. A large concert, for example, attracts tens of thousands of people, who spend money on transportation, accommodation and food during their two-to-three-day stay in a place, significantly contributing to the host city's economy.

          Besides, different genres and forms of dramas and musicals are enriching people's cultural lives. Last year, The Phantom of the Opera was a box-office success across multiple locations, with about 100 million yuan ($13.69 million) worth of tickets sold even before its official opening on July 2.

          The combined effects of socioeconomic development, people's growing demand for cultural entertainment and their evolving consumption pattern explain the popularity of the "performance economy". As their living conditions improve, people develop an increasing appetite for cultural products. Performances, as high-quality cultural consumption, are therefore becoming increasingly popular. The performance economy also benefits from social media promotion. Widely shared videos, photographs, and other content of a captivating performance can quickly capture people's attention, and drive up tickets sales.

          Traditional music concerts involving erhu, pipa and/or guzheng are a highlight of the performance industry, because they not only attract a large audience but also carry a distinctive artistic appeal. Whether it is an ensemble of a national orchestra or a melodious solo performance, such events captivate people who love traditional music.

          The success of a traditional musical performance depends on the performers' expertise, understanding and ability to highlight the nuances of a traditional musical instrument. When playing traditional pieces, they need to enhance traditional techniques to capture the essence of the original piece. When presenting a new piece of work, they need to be innovative, blending modern musical elements with traditional music, and offering audiences a novel experience.

          In recent years, traditional music has acquired a youthful feature, marked by continuous innovation in both form and content. Some music ensembles have integrated folk music into dance and drama performances, while some musicians have adopted popular songs, playing well-known melodies on traditional musical instruments, thereby bringing traditional music closer to younger audiences. These innovative efforts have not only invigorated traditional music but also injected new energy into the performance economy.

          As a crucial element of traditional Chinese culture, music has played a crucial role in cultural development and become an indispensable part of the performance economy.

          Today, an increasing number of youths are showing interest in playing traditional musical instruments such as guzheng, erhu and pipa. Take guzheng enthusiasts for example, they are a growing community, comprising individuals of all ages. With professional guzheng training institutes popping up in many places and music schools introducing guzheng major, traditional musical instruments are now more readily available.

          In such schools, tutors focus on helping students develop a deep understanding of the cultural elements of traditional music. Students gradually grasp the pentatonic scale and rhythms of traditional Chinese music and, more importantly, get acquainted with the history of Chinese music, while developing a sense of national pride and cultural confidence.

          On the other hand, online teaching has added to the popularity of traditional music. And with some renowned instructors offering lectures on online platforms, quality lessons are now available across the country and even abroad.

          As a music instructor and performer, despite various difficulties, I am committed to enhancing my knowledge, further honing my skills, as well as performing and teaching traditional Chinese music, and elevating its significance in the performance industry.

          We should welcome new trends, innovate teaching methods and seize the opportunities created by advanced technologies, while giving more creative performances and cultivating more musical talents. This will empower traditional Chinese music to contribute more to the development of the cultural industry.

          The author is an associate professor at the Music School of Henan University.
          The views don't necessarily reflect those of China Daily. 

          If you have a specific expertise, or would like to share your thought about our stories, then send us your writings at opinion@chinadaily.com.cn, and comment@chinadaily.com.cn.

          Most Viewed in 24 Hours
          Top
          BACK TO THE TOP
          English
          Copyright 1994 - . All rights reserved. The content (including but not limited to text, photo, multimedia information, etc) published in this site belongs to China Daily Information Co (CDIC). Without written authorization from CDIC, such content shall not be republished or used in any form. Note: Browsers with 1024*768 or higher resolution are suggested for this site.
          License for publishing multimedia online 0108263

          Registration Number: 130349
          FOLLOW US
          主站蜘蛛池模板: 日韩中文字幕亚洲精品| 精品99在线观看| 亚洲国产精品综合一区二区| 97人妻免费碰视频碰免| 2021亚洲va在线va天堂va国产| 亚洲欧美综合在线天堂| 线观看的国产成人av天堂| 一区二区三区国产不卡| 中文字幕乱码亚洲美女精品| 高清国产一区二区无遮挡| 午夜欧美日韩在线视频播放| 激情伊人五月天久久综合| 国产精品一久久香蕉产线看| 中文字幕亚洲制服在线看| 国内不卡一区二区三区| 中国黄色一级视频| 在线精品国精品国产尤物| 国产成人欧美综合在线影院| 日韩精品一二三黄色一级| 色二av手机版在线| 亚洲日本国产精品一区| 九九在线精品国产| 成人午夜电影福利免费| 亚洲欧洲日产国码AV天堂偷窥| 中文字幕在线观看国产双飞高清| 麻豆成人精品国产免费| 饥渴老熟妇乱子伦视频| 人妻精品动漫H无码中字| 国产丝袜啪啪| 国产一级老熟女自拍视频| 99久久久国产精品免费无卡顿| 一区二区在线观看 激情| 女人喷水高潮时的视频网站| 国产免费午夜福利在线播放| 亚洲AV成人无码精品电影在线| 99国产精品欧美一区二区三区| 亚洲福利精品一区二区三区| 人妻丰满熟妇av无码区hd| 秋霞人妻无码中文字幕| 99精品这里只有精品高清视频| 国产精品普通话国语对白露脸 |