"Through multidimensional expressions of material, technique, function and aesthetics across time and space, it creates a pivotal artistic experiment that bridges utility and contemplation, past and present, as well as classification and transcendence," he explains.
Since its late April opening, the show has captivated visitors with its innovative curation that reveals how classical design principles continue inspiring today's creators.
In addition to the meditation chair and porcelain painting pair at the Beauty of Simplicity part that highlights the ancient restrained elegance, the scroll-end tables and open-shelf cabinets also stand out for their clean lines and understated elegance. These classical furnishings are placed in close, "zero-distance" dialogue with contemporary ceramic artworks of varying styles and scales, each distinct yet harmoniously connected.
The second unit, Purity of Complexity, juxtaposes the ornate, dignified, and richly textured Qing Dynasty furniture with a curated selection of ceramics, including blue-and-white ware, Dehua Blanc de Chine, and rustic earthenware.
A serene atmosphere is created as elegant tea vessels cast their reflections onto the walls through a dual-mirror setup, offering an immersive visual layering.
The last part, Solace of Nature, centers on the poetic essence of garden living. Rosewood chairs are paired with companion pieces — flat-end and scroll-end tables — that echo one another like brothers.
Between sculptural ceramics evoking galaxies and mountain peaks, and porcelain screen paintings from the Neolithic Series, the arrangement resonates with the rock-lined garden paths and reflective lake views of garden scenery at Prince Kung's Palace Museum, inviting a meditative connection with nature.
