Metamorphosis in drama
Theatrical performances have helped young people find their voices as virtuosos and build self-worth and confidence. Wang Yuke writes.
Granted, life is often seen as a rich seam to mine for drama, inspiring its twists and turns, threading it into a gripping yarn of multisensory delight. Yet, what's lesser known is that drama, in equal measure, inspires life in return.
As Mark Peaker, chairman of Shakespeare4All — one of Hong Kong's leading arts performing groups — puts it, drama performance "inspires to aspire", affirming its agency in metamorphosing a child through his or her formative years, fostering confidence and learning capacity.
As the crimson velvet curtain parted, Much Ado About Nothing — a thrilling circus-themed extravaganza adapted from Shakespeare's legendary comedy — unfolded in full bloom in Tuen Mun Town Hall. What amazed the audience was the cohort of actors, all adorned with Elizabethan flourishes, ranging from eight to 18 years of age. These young performers carried the linguistically sophisticated lines, larger-than-life mannerisms, and regally flamboyant costumes with a confidence that radiated brilliance.
