Jill Parker, the assistant costume designer, says that most of the props and costumes were specially made for the Chinese production, with only a small portion inherited from touring productions.
"From handsewn rhinestones to the gowns to elaborate embroideries to layers after layers of fabric, there is not a costume in Phantom that isn't labor-intensive," she says. "Some are so fragile they have to be cleaned by hand after use."
One of the three male actors who will play the title role of the Phantom is Ayunga, who is also the co-producer of the Chinese musical.
The Chinese production of the Phantom of the Opera is of great significance to the future development of China's theater industry, he says, noting that the Japanese edition that premiered in 1988 helped the production company become a leading player in Asia. The Korean edition also left a great impact on the live show business in South Korea.
"We have now planted the seeds, and I believe that with the success of the Chinese Phantom, the musical scene in China will go on to blossom."
